What is powerful in the film is, above all, the images. The producers had full access to the Missionaries of Charity's archive, finding unpublished or little-known footage, including that of Mother Teresa acting as an extraordinary minister of the Eucharist.
Patrick Kelly, Supreme Knight of the Knights of Columbus, emphasized that the film was born "thanks to the relationship of trust between the Knights of Columbus and the Missionaries of Charity."
After all, Virgil Dechant, the predecessor of Kelly's predecessor as Supreme Knight, was a personal friend of Mother Teresa. They collaborated, sharing the mutual value of charity, at the foundations of the Knight of Columbus, considering that "charity is the fundamental principle of the Knights of Columbus."
In a letter sent to Kelly, Pope Francis thanked for initiatives that "help, in a creative way, to make zeal for evangelization accessible especially to the younger generations."
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Cardinal Sean O'Malley, archbishop of Boston, talked about his friendship with Mother Teresa. Although he asked her to send nuns to his diocese on two different occasions "to bring healing and consolation," Mother Teresa always fulfilled the requests.
Father Brian Kolodiejchuk, the postulator of the cause of the canonization of Mother Teresa, stressed that the film helps to remember the great work and vocation of the saint.
The movie’s message is that “Calcutta is everywhere" — because there are those in need everywhere: “There is a work of charity yet to be done."
Sister Myriam Therese, regional superior of the Missionaries of Charity, said it was "nice to see people who changed their lives because they were affected by God's love" and that Mother Teresa was "a carrier of that love."
Finally, David Naglieri, the movie's director, underlined that "they did not want only a biography, we wanted to show her radical call, but also to show how the mission of Mother Teresa continues."